Definitions for digital effects
dig·ital ef·fects

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1. Digital Effects

   Digital Effects Inc. was an early and innovative computer animation studio at 321 West 44th street in New York City. It was the first computer graphics house in New York City when it opened in 1978, and operated until 1986. It was founded by Judson Rosebush, Jeff Kleiser, Don Leich, David Cox, Bob Hoffman, Jan Prins, and others. Many of the original group came from Syracuse University, where Rosebush taught computer graphics. Rosebush developed the animation software APL Visions and FORTRAN Visions. Kleiser later went on to found Kleiser-Walczak Construction Company, which experimented with creating synthespians and made the animation for Monsters of Grace. The company's original animation system consisted of a Tektronix display with a 1200 baud modem connection to a remote Amdahl V6 in Bethesda, Maryland, with rendering done on an IBM System 370, recording on an Information International Inc. film recorder in Los Angeles, and final processing and optical printing completed back in New York. The V6 ran APL, and could render at a rate of one polygon per second. The company later built one of the first frame buffers and video paint systems, acquired a Harris mini-mainframe computer, and a Dicomed 35mm color film recorder.

How to pronounce digital effects?

1. Alex

   US English

   David

   US English

   Mark

   US English

   Daniel

   British

   Libby

   British

   Mia

   British

   Karen

   Australian

   Hayley

   Australian

   Natasha

   Australian

   Veena

   Indian

   Priya

   Indian

   Neerja

   Indian

   Zira

   US English

   Oliver

   British

   Wendy

   British

   Fred

   US English

   Tessa

   South African

How to say digital effects in sign language?

Numerology

1. Chaldean Numerology

   The numerical value of digital effects in Chaldean Numerology is: 8

2. Pythagorean Numerology

   The numerical value of digital effects in Pythagorean Numerology is: 9

Examples of digital effects in a Sentence

1. Johnny Galecki:

   Early on, Bobby and Jordan Horowitz (another of the film’s producers) bonded over the idea of using practical effects, nobody has anything against CGI as an additive. I think we all see the benefit of digital effects. But I think audiences have missed seeing these puppets, I think they miss seeing the sweat and the fingerprints. We used CGI as a sweetener, very, very subtly, in expressions in the eyes and things of that nature. Otherwise, we had real puppeteers there, whether they were under the table with their hand in the puppet or whether they were within the puppet, as the creatures grow bigger. It was a blast; it was really fun. Oddly, when you spend 12 hours a day with these puppets, they become little personalities. They just feel like fellow castmates, as absurd as that sounds.

References

1. ^ Wikidata
   https://www.wikidata.org/w/index.php?search=digital effects