What does metafiction mean?

Definitions for metafiction
ˈmɛt əˌfɪk ʃənmetafic·tion

This dictionary definitions page includes all the possible meanings, example usage and translations of the word metafiction.


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Wiktionary

  1. metafictionnoun

    a form of self-referential literature concerned with the art and devices of fiction itself

Wikipedia

  1. Metafiction

    Metafiction is a form of fiction that emphasises its own narrative structure in a way that continually reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.Although metafiction is most commonly associated with postmodern literature that developed in the mid-20th century, its use can be traced back to much earlier works of fiction, such as The Canterbury Tales (Geoffrey Chaucer, 1387), Don Quixote (Miguel de Cervantes, 1605), "Chymical Wedding of Christian Rosenkreutz" (Johann Valentin Andreae, 1617) The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), Sartor Resartus (Thomas Carlyle, 1833–34), and Vanity Fair (William Makepeace Thackeray, 1847). Metafiction became particularly prominent in the 1960s, with works such as Lost in the Funhouse by John Barth, "The Babysitter" and "The Magic Poker" by Robert Coover, Slaughterhouse-Five by Kurt Vonnegut, The French Lieutenant's Woman by John Fowles, The Crying of Lot 49 by Thomas Pynchon, and Willie Master's Lonesome Wife by William H. Gass. Since the 1980s, contemporary Latino literature has an abundance of self-reflexive, metafictional works, including novels and short stories by Junot Díaz (The Brief Wondrous Life of Oscar Wao), Sandra Cisneros (Caramelo), Salvador Plascencia (The People of Paper), Carmen Maria Machado (Her Body), Rita Indiana (Tentacle), and Valeria Luiselli (Lost Children Archive).

Wikidata

  1. Metafiction

    Metafiction, also known as Romantic irony in the context of Romantic works of literature, uses literary techniques to draw attention to itself as a work of art, while exposing the "truth" of a story. "Metafiction" is the literary term describing fictional writing that self-consciously and systematically draws attention to its status as an artifact in posing questions about the relationship between fiction and reality, usually using irony and self-reflection. It can be compared to presentational theatre, which does not let the audience forget it is viewing a play; metafiction does not let the reader forget he or she is reading a fictional work. Metafiction is primarily associated with Modernist literature and Postmodernist literature, but is found at least as early as Homer's Odyssey and Chaucer's 14th century Canterbury Tales. Cervantes' Don Quixote is a metafictional novel published in the 17th century, and so is James Hogg's The Private Memoirs and Confessions of a Justified Sinner published in 1824. The novels of Brian O'Nolan, written under the nom de plume Flann O'Brien, are considered to be examples of metafiction. In the 1950s several French novelists published works whose styles were collectively dubbed "nouveau roman". These "new novels" were characterized by the bending of genre and style and often included elements of metafiction. It became prominent in the 1960s, with authors and works such as John Barth's Lost in the Funhouse, Robert Coover's "The Babysitter" and "The Magic Poker", Kurt Vonnegut's Slaughterhouse Five, Thomas Pynchon's The Crying of Lot 49 and William H. Gass's Willie Master's Lonesome Wife. William H. Gass coined the term “metafiction” in a 1970 essay entitled “Philosophy and the Form of Fiction”. Unlike the antinovel, or anti-fiction, metafiction is specifically fiction about fiction, i.e. fiction which self-consciously reflects upon itself. It has been suggested that the Epic of Gilgamesh was the first metafiction in that it, at the end, described its own writing and effect through the ages.

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Numerology

  1. Chaldean Numerology

    The numerical value of metafiction in Chaldean Numerology is: 7

  2. Pythagorean Numerology

    The numerical value of metafiction in Pythagorean Numerology is: 7

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"metafiction." Definitions.net. STANDS4 LLC, 2024. Web. 23 Apr. 2024. <https://www.definitions.net/definition/metafiction>.

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    come up with (an idea, plan, explanation, theory, or principle) after a mental effort
    A gloat
    B abet
    C fluster
    D excogitate

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