The major key with A as its tonic.
The major chord with a root of A.
A major is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where a Neapolitan sixth chord on requires both a flat and a natural accidental. In the treble, alto, and bass clefs, the G♯ in the key signature is placed higher than C♯. However, in the tenor clef, it would require a ledger line and so G♯ is placed lower than C♯. Although not as rare in the symphonic literature as sharper keys, examples of symphonies in A major are not as numerous as for D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto and Clarinet Quintet are both in A major, and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major. A major occurs frequently in chamber music. Franz Schubert's Piano Quintet known as the Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin."
The numerical value of a major in Chaldean Numerology is: 7
The numerical value of a major in Pythagorean Numerology is: 4
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