Definitions for omar khayyámˈoʊ mɑr kaɪˈyɑm, -ˈyæm, ˈoʊ mər
This page provides all possible meanings and translations of the word omar khayyám
Random House Webster's College Dictionary
O•mar Khay•yámˈoʊ mɑr kaɪˈyɑm, -ˈyæm, ˈoʊ mər(n.)
died 1123?, Persian poet and mathematician.
Persian poet and mathematician and astronomer whose poetry was popularized by Edward Fitzgerald's translation (1050-1123)
Ghiyāth ad-Dīn Abu'l-Fatḥ ʿUmar ibn Ibrāhīm al-Khayyām Nīshāpūrī was a Persian polymath, philosopher, mathematician, astronomer and poet. He also wrote treatises on mechanics, geography, mineralogy, music, and Islamic theology. Born in Nishapur, at a young age he moved to Samarkand and obtained his education there. Afterwards he moved to Bukhara and became established as one of the major mathematicians and astronomers of the medieval period. He is the author of one of the most important treatises on algebra written before modern times, the Treatise on Demonstration of Problems of Algebra, which includes a geometric method for solving cubic equations by intersecting a hyperbola with a circle. He contributed to a calendar reform. His significance as a philosopher and teacher, and his few remaining philosophical works, have not received the same attention as his scientific and poetic writings. Al-Zamakhshari referred to him as “the philosopher of the world”. Many sources have testified that he taught for decades the philosophy of Avicenna in Nishapur where Khayyám was born and buried and where his mausoleum today remains a masterpiece of Iranian architecture visited by many people every year.
The Nuttall Encyclopedia
astronomer-poet of Persia, born at Naishapur, in Khorassan; lived in the later half of the 11th century, and died in the first quarter of the 12th; wrote a collection of poems which breathe an Epicurean spirit, and while they occupy themselves with serious problems of life, do so with careless sportiveness, intent he on the enjoyment of the sensuous pleasures of life, like an easy-going Epicurean. The great problems of destiny don't trouble the author, they are no concern of his, and the burden of his songs assuredly is, as his translator says, "If not 'let us eat, let us drink, for to-morrow we die.'"
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