Definitions for fuguefyug
This page provides all possible meanings and translations of the word fugue
fugue, psychogenic fugue(noun)
dissociative disorder in which a person forgets who they are and leaves home to creates a new life; during the fugue there is no memory of the former life; after recovering there is no memory for events during the dissociative state
a dreamlike state of altered consciousness that may last for hours or days
a musical form consisting of a theme repeated a fifth above or a fourth below its first statement
A contrapuntal piece of music wherein a particular melody is played in a number of voices, each voice introduced in turn by playing the melody
Anything in literature, poetry, film, painting, etc., that resembles a fugue in structure or in its elaborate complexity and formality.
a polyphonic composition, developed from a given theme or themes, according to strict contrapuntal rules. The theme is first given out by one voice or part, and then, while that pursues its way, it is repeated by another at the interval of a fifth or fourth, and so on, until all the parts have answered one by one, continuing their several melodies and interweaving them in one complex progressive whole, in which the theme is often lost and reappears
Origin: [F., fr. It. fuga, fr. L. fuga a fleeing, flight, akin to fugere to fiee. See Fugitive.]
In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation and recurs frequently in the course of the composition. The English term fugue originated in the 16th century and is derived from the French word fugue or the Italian fuga. This in turn comes from Latin, also fuga, which is itself related to both fugere and fugare. The adjectival form is fugal. Variants include fughetta and fugato. A fugue usually has three sections: an exposition, a development, and a recapitulation containing the return of the subject in the fugue's tonic key, though not all fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term fugue has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short main theme, the subject, which then sounds successively in each voice; when each voice has entered, the exposition is complete. This is often followed by a connecting passage, or episode, developed from previously heard material; further "entries" of the subject then are heard in related keys. Episodes and entries are usually alternated until the "final entry" of the subject, by which point the music has returned to the opening key, or tonic, which is often followed by closing material, the coda. In this sense, a fugue is a style of composition, rather than a fixed structure.
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